Erik Davis stands tall at the intersection between mysticism, technology, and counterculture. He's one of my favorite writers, the author of many stupendous books, among them TechGnosis: Myth, Magic, and Mysticism in the Age of Information, Nomad Codes, as well as High Weirdness, a highly entertaining book that explores 1970s counterculture and its relationship with altered states of consciousness. Erik is also an Esalen faculty member, having recently taught a course on Embodied Writing and Spiritual Practice.

In this conversation, we went into his new book, Blotter, an extended meditation on LSD blotter art and the culture that surrounds it. We also found time to veer off into a host of topics, including Terence McKenna, John C. Lilly, Dick Price, madness, Stan Grof, the spiritual emergency network, prep-school deadheads, the Village Voice, the Internet and Erik's theory that it kills subcultures, the phenomenon of what Erik calls "cannabis thinking," how he was never much of a "cannabis writer," tape machines and their place in the counterculture, the Merry Pranksters, Phillip K. Dick, Bay Area Poster art, the DEA and its own little zine — and much more.

Erik is one of the cofounders of the Berkeley Alembic, a nonprofit bodymind center committed to experiments in transformation. You can also find his collected works at Techgnosis.