Visitors are now able to access Esalen as well as other businesses and trails in northern Big Sur via twice-daily convoys on Highway 1 operated by Caltrans.
Convoys run only at 7:00 a.m. and 5:00 p.m. each day. These are the only opportunities to travel into and out of Big Sur, so visitors must plan accordingly.
Please note: On Wednesday September 20, online registration may be unavailable for up to 15 minutes while system maintenance is performed. If the 'Register Now' page does not load, please wait about 15 minutes and try again.
Selah is the call of grace to make art at the edge of the world. At the end of the world. — Bayo Akomolafe
We are often reminded that for social change to be transformative, it must be scaled up. It must be big, written in bold fonts across the night sky. Unambiguously clear. We are told that this is how differences come to bear; this is how the “new” shows up — with a messianic roar that rends the clouds asunder. With a splash that makes headline news.
The Selah retreats are a turning to grace. A concourse outside of the normal vicissitudes of citizenship. A tuning fork for grace. Grace is movement: finding safety in leaving safety.
The Selah retreats are an attempt to create art together – art without subjects or objects. The art we make isn’t a finished product, an imposed goal, a pre-designed fabrication, or a project for museum installations. The “art” is undefined, incomprehensible, composed of many griefs and many questions, a tracing of the slightest tremors of perception, a lingering at the material precipices of normal perception, a working with failure to craft gestures that might sensitize us to different differences.
The question at the heart of the Selah retreats is how do we become good hosts to “this monster” — to awkward grace? What could it look like to nourish the minor, to sing to it, to bring something incomprehensible into the world?
Surrounded by story, song, poetry, reading together, and crafting work, we will seek to build mbaris, an Igbo indigenous aesthetic of art, communal responsibility, and experimentation at the edges of crisis. These simultaneous streams of vocations that soften the neurotypical gaze will travel alongside the teachings and guidance of Bayo Akomolafe.
Learn more about the requirements to receive continuing education credit.
Bayo Akomolafe is a philosopher, writer, activist, professor of psychology, executive director and chief curator for the Emergence Network, and the author of We Will Tell Our Own Story and These Wilds Beyond Our Fences: Letters to My Daughter on Humanity’s Search for Home.
Read More
Nora Bateson is the president of the International Bateson Institute and the creator of the Warm Data theory and practices. She wrote, directed, and produced the documentary An Ecology of Mind, a portrait of her father, Gregory Bateson. She is the author of Small Arcs of Larger Circles and Combining.
Read More
Need a scholarship? Apply here.
Selah is the call of grace to make art at the edge of the world. At the end of the world. — Bayo Akomolafe
We are often reminded that for social change to be transformative, it must be scaled up. It must be big, written in bold fonts across the night sky. Unambiguously clear. We are told that this is how differences come to bear; this is how the “new” shows up — with a messianic roar that rends the clouds asunder. With a splash that makes headline news.
The Selah retreats are a turning to grace. A concourse outside of the normal vicissitudes of citizenship. A tuning fork for grace. Grace is movement: finding safety in leaving safety.
The Selah retreats are an attempt to create art together – art without subjects or objects. The art we make isn’t a finished product, an imposed goal, a pre-designed fabrication, or a project for museum installations. The “art” is undefined, incomprehensible, composed of many griefs and many questions, a tracing of the slightest tremors of perception, a lingering at the material precipices of normal perception, a working with failure to craft gestures that might sensitize us to different differences.
The question at the heart of the Selah retreats is how do we become good hosts to “this monster” — to awkward grace? What could it look like to nourish the minor, to sing to it, to bring something incomprehensible into the world?
Surrounded by story, song, poetry, reading together, and crafting work, we will seek to build mbaris, an Igbo indigenous aesthetic of art, communal responsibility, and experimentation at the edges of crisis. These simultaneous streams of vocations that soften the neurotypical gaze will travel alongside the teachings and guidance of Bayo Akomolafe.
Learn more about the requirements to receive continuing education credit.
Bayo Akomolafe is a philosopher, writer, activist, professor of psychology, executive director and chief curator for the Emergence Network, and the author of We Will Tell Our Own Story and These Wilds Beyond Our Fences: Letters to My Daughter on Humanity’s Search for Home.
Nora Bateson is the president of the International Bateson Institute and the creator of the Warm Data theory and practices. She wrote, directed, and produced the documentary An Ecology of Mind, a portrait of her father, Gregory Bateson. She is the author of Small Arcs of Larger Circles and Combining.
Selah is the call of grace to make art at the edge of the world. At the end of the world. — Bayo Akomolafe
We are often reminded that for social change to be transformative, it must be scaled up. It must be big, written in bold fonts across the night sky. Unambiguously clear. We are told that this is how differences come to bear; this is how the “new” shows up — with a messianic roar that rends the clouds asunder. With a splash that makes headline news.
The Selah retreats are a turning to grace. A concourse outside of the normal vicissitudes of citizenship. A tuning fork for grace. Grace is movement: finding safety in leaving safety.
The Selah retreats are an attempt to create art together – art without subjects or objects. The art we make isn’t a finished product, an imposed goal, a pre-designed fabrication, or a project for museum installations. The “art” is undefined, incomprehensible, composed of many griefs and many questions, a tracing of the slightest tremors of perception, a lingering at the material precipices of normal perception, a working with failure to craft gestures that might sensitize us to different differences.
The question at the heart of the Selah retreats is how do we become good hosts to “this monster” — to awkward grace? What could it look like to nourish the minor, to sing to it, to bring something incomprehensible into the world?
Surrounded by story, song, poetry, reading together, and crafting work, we will seek to build mbaris, an Igbo indigenous aesthetic of art, communal responsibility, and experimentation at the edges of crisis. These simultaneous streams of vocations that soften the neurotypical gaze will travel alongside the teachings and guidance of Bayo Akomolafe.
April 14–18, 2025
This program is full. Find another.
Applications are closed.
Applications are closed.
Selah is the call of grace to make art at the edge of the world. At the end of the world. — Bayo Akomolafe
We are often reminded that for social change to be transformative, it must be scaled up. It must be big, written in bold fonts across the night sky. Unambiguously clear. We are told that this is how differences come to bear; this is how the “new” shows up — with a messianic roar that rends the clouds asunder. With a splash that makes headline news.
The Selah retreats are a turning to grace. A concourse outside of the normal vicissitudes of citizenship. A tuning fork for grace. Grace is movement: finding safety in leaving safety.
The Selah retreats are an attempt to create art together – art without subjects or objects. The art we make isn’t a finished product, an imposed goal, a pre-designed fabrication, or a project for museum installations. The “art” is undefined, incomprehensible, composed of many griefs and many questions, a tracing of the slightest tremors of perception, a lingering at the material precipices of normal perception, a working with failure to craft gestures that might sensitize us to different differences.
The question at the heart of the Selah retreats is how do we become good hosts to “this monster” — to awkward grace? What could it look like to nourish the minor, to sing to it, to bring something incomprehensible into the world?
Surrounded by story, song, poetry, reading together, and crafting work, we will seek to build mbaris, an Igbo indigenous aesthetic of art, communal responsibility, and experimentation at the edges of crisis. These simultaneous streams of vocations that soften the neurotypical gaze will travel alongside the teachings and guidance of Bayo Akomolafe.
Learn more about the requirements to receive continuing education credit.
Bayo Akomolafe is a philosopher, writer, activist, professor of psychology, executive director and chief curator for the Emergence Network, and the author of We Will Tell Our Own Story and These Wilds Beyond Our Fences: Letters to My Daughter on Humanity’s Search for Home.
Nora Bateson is the president of the International Bateson Institute and the creator of the Warm Data theory and practices. She wrote, directed, and produced the documentary An Ecology of Mind, a portrait of her father, Gregory Bateson. She is the author of Small Arcs of Larger Circles and Combining.
Please note: On Wednesday September 20, online registration may be unavailable for up to 15 minutes while system maintenance is performed. If the 'Register Now' page does not load, please wait about 15 minutes and try again.
The rich text element allows you to create and format headings, paragraphs, blockquotes, images, and video all in one place instead of having to add and format them individually. Just double-click and easily create content.
The rich text element allows you to create and format headings, paragraphs, blockquotes, images, and video all in one place instead of having to add and format them individually. Just double-click and easily create content.A rich text element can be used with static or dynamic content. For static content, just drop it into any page and begin editing. For dynamic content, add a rich text field to any collection and then connect a rich text element to that field in the settings panel. Voila!
A rich text element can be used with static or dynamic content. For static content, just drop it into any page and begin editing. For dynamic content, add a rich text field to any collection and then connect a rich text element to that field in the settings panel. Voila!Headings, paragraphs, blockquotes, figures, images, and figure captions can all be styled after a class is added to the rich text element using the "When inside of" nested selector system.
Headings, paragraphs, blockquotes, figures, images, and figure captions can all be styled after a class is added to the rich text element using the "When inside of" nested selector system.Lorem ipsum dolor sit amet, consectetur adipiscing elit. Suspendisse varius enim in eros elementum tristique. Duis cursus, mi quis viverra ornare, eros dolor interdum nulla, ut commodo diam libero vitae erat. Aenean faucibus nibh et justo cursus id rutrum lorem imperdiet. Nunc ut sem vitae risus tristique posuere.
Learn more about the requirements to receive continuing education credit.
The rich text element allows you to create and format headings, paragraphs, blockquotes, images, and video all in one place instead of having to add and format them individually. Just double-click and easily create content.
The rich text element allows you to create and format headings, paragraphs, blockquotes, images, and video all in one place instead of having to add and format them individually. Just double-click and easily create content.A rich text element can be used with static or dynamic content. For static content, just drop it into any page and begin editing. For dynamic content, add a rich text field to any collection and then connect a rich text element to that field in the settings panel. Voila!
A rich text element can be used with static or dynamic content. For static content, just drop it into any page and begin editing. For dynamic content, add a rich text field to any collection and then connect a rich text element to that field in the settings panel. Voila!Headings, paragraphs, blockquotes, figures, images, and figure captions can all be styled after a class is added to the rich text element using the "When inside of" nested selector system.
Headings, paragraphs, blockquotes, figures, images, and figure captions can all be styled after a class is added to the rich text element using the "When inside of" nested selector system.Learn more about the requirements to receive continuing education credit.
April 14–18, 2025
This program is full. Find another.
Applications are closed.
Applications are closed.
Selah is the call of grace to make art at the edge of the world. At the end of the world. — Bayo Akomolafe
We are often reminded that for social change to be transformative, it must be scaled up. It must be big, written in bold fonts across the night sky. Unambiguously clear. We are told that this is how differences come to bear; this is how the “new” shows up — with a messianic roar that rends the clouds asunder. With a splash that makes headline news.
The Selah retreats are a turning to grace. A concourse outside of the normal vicissitudes of citizenship. A tuning fork for grace. Grace is movement: finding safety in leaving safety.
The Selah retreats are an attempt to create art together – art without subjects or objects. The art we make isn’t a finished product, an imposed goal, a pre-designed fabrication, or a project for museum installations. The “art” is undefined, incomprehensible, composed of many griefs and many questions, a tracing of the slightest tremors of perception, a lingering at the material precipices of normal perception, a working with failure to craft gestures that might sensitize us to different differences.
The question at the heart of the Selah retreats is how do we become good hosts to “this monster” — to awkward grace? What could it look like to nourish the minor, to sing to it, to bring something incomprehensible into the world?
Surrounded by story, song, poetry, reading together, and crafting work, we will seek to build mbaris, an Igbo indigenous aesthetic of art, communal responsibility, and experimentation at the edges of crisis. These simultaneous streams of vocations that soften the neurotypical gaze will travel alongside the teachings and guidance of Bayo Akomolafe.
Learn more about the requirements to receive continuing education credit.
Bayo Akomolafe is a philosopher, writer, activist, professor of psychology, executive director and chief curator for the Emergence Network, and the author of We Will Tell Our Own Story and These Wilds Beyond Our Fences: Letters to My Daughter on Humanity’s Search for Home.
Nora Bateson is the president of the International Bateson Institute and the creator of the Warm Data theory and practices. She wrote, directed, and produced the documentary An Ecology of Mind, a portrait of her father, Gregory Bateson. She is the author of Small Arcs of Larger Circles and Combining.
The rich text element allows you to create and format headings, paragraphs, blockquotes, images, and video all in one place instead of having to add and format them individually. Just double-click and easily create content.
The rich text element allows you to create and format headings, paragraphs, blockquotes, images, and video all in one place instead of having to add and format them individually. Just double-click and easily create content.A rich text element can be used with static or dynamic content. For static content, just drop it into any page and begin editing. For dynamic content, add a rich text field to any collection and then connect a rich text element to that field in the settings panel. Voila!
A rich text element can be used with static or dynamic content. For static content, just drop it into any page and begin editing. For dynamic content, add a rich text field to any collection and then connect a rich text element to that field in the settings panel. Voila!Headings, paragraphs, blockquotes, figures, images, and figure captions can all be styled after a class is added to the rich text element using the "When inside of" nested selector system.
Headings, paragraphs, blockquotes, figures, images, and figure captions can all be styled after a class is added to the rich text element using the "When inside of" nested selector system.The rich text element allows you to create and format headings, paragraphs, blockquotes, images, and video all in one place instead of having to add and format them individually. Just double-click and easily create content.
The rich text element allows you to create and format headings, paragraphs, blockquotes, images, and video all in one place instead of having to add and format them individually. Just double-click and easily create content.A rich text element can be used with static or dynamic content. For static content, just drop it into any page and begin editing. For dynamic content, add a rich text field to any collection and then connect a rich text element to that field in the settings panel. Voila!
A rich text element can be used with static or dynamic content. For static content, just drop it into any page and begin editing. For dynamic content, add a rich text field to any collection and then connect a rich text element to that field in the settings panel. Voila!Headings, paragraphs, blockquotes, figures, images, and figure captions can all be styled after a class is added to the rich text element using the "When inside of" nested selector system.
Headings, paragraphs, blockquotes, figures, images, and figure captions can all be styled after a class is added to the rich text element using the "When inside of" nested selector system.